When I first began exploring the art of the Qur’an in Southeast Asia, more than twenty years ago, the canvas was essentially blank. The art of the Islamic book had rarely attracted attention in the Malay world of ‘Nusantara’, and almost no photographs of illuminated Southeast Asian Qur’an manuscripts had ever been published. This was because philological studies – and thus also university teaching programmes
📌 Writing the Indian Ocean: The Ruznāmaʾ of Al Failakawi and the Ocean as Archive (Pune)
🏢 The Limelight Bimonthly
📍 Pune
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