What you'd actually do

You'd cut the brand films and DVCs the studio is built on — Tally launches, Asian Paints campaigns, Aditya Birla and Godrej projects. A typical week is one project in fine-cut, one in rough-cut, one in review with the director. We work in DaVinci Resolve. You'll sit next to the director, the colorist, and the sound lead — not in a service queue. You'll own delivery formats, the version log, and the conversation with the client when a frame needs to defend itself.

What we're looking for

Someone whose taste arrives before their reasoning. Five to eight years cutting brand work. Solid in pacing for emotion, not just for narrative. We don't care which film school.



We care that you can show us a cut you're proud of and explain a single decision in it without slipping into jargon. Bonus if you have a habit of watching other people's work — Saturday morning, with coffee, no obligation.

What you'd get

A seat in the room for every project the studio takes. A small team with no producer pyramid. Real briefs from real brands. ₹15-25L per year, depending on experience, plus a per-project completion share for projects you anchor. Mumbai office, hybrid friendly, and a film studio that pays for the things that matter — your monitor, your headphones, the coffee.

📌 Senior Editor (Mumbai)
🏢 ShrtFrm
📍 Mumbai