About Us

Ant Systemz balances technology-driven scale with deep human creative empathy to rebuild global content pipelineshelping stories travel across languages while preserving the emotion that makes them meaningful.

What you'll actually do

Edit

- Brand films the long-form pieces that carry the company's story
- Ad films and campaign work, including client-facing production through CRIT™
- Social films — reels, shorts, teasers, cutdowns, platform-native edits
- Case-study films, event coverage from IBC and MIPCOM, founder and customer interviews, product and demo pieces

Finish

- Colour correction and grade; audio cleanup, mixing and levels
- Titles, lower thirds, transitions, end cards, motion graphics in After Effects
- Light VFX — cleanup, tracking, keying, compositing
- Export and delivery to spec, per platform, per client

Version

- One master, every version the market asks for: language versions, aspect ratios, durations, platform cuts. This is the core of how we work — made once at the top, fragmented downward
- Work with subtitled, dubbed and lip-synced material, which changes how you cut. You'll learn this here if you haven't done it before

Work with the team

- Take a shot map or edit brief from the Strategist or the director and turn it into a cut
- Sit in on shoots when we need you there; occasionally shoot yourself
- Keep footage, projects and versions organised well enough that someone else could open your timeline and understand it

What we're looking for Tools — you should be robust in:

- Adobe Premiere Pro
- Final Cut Pro
- Adobe After Effects — motion graphics and compositing, not just titles

Tools — you should understand:

- 3D — Blender, Cinema 4D, or equivalent.



Enough to build or drop in a simple 3D element, understand cameras and lighting, and integrate it into a live-action cut. We'll teach you the rest
- DaVinci Resolve for grade
- Audio: Audition, Pro Tools, or equivalent — enough to make dialogue sit properly

And:

- 0–2 years editing. Agency, production house, in-house, freelance or your own channel — we care about the cuts, not the letterhead
- A showreel is required, plus at least one full piece we can watch end to end. A reel proves you can cut a montage; a full film proves you can hold a story
- Storytelling instinct: pacing, rhythm, when to hold a shot and when to get out of it. Music sense
- Detail obsession. Frame-accurate cuts, clean audio, correct colour, no artefacts, right export settings. "Good enough" is not in use on these premises
- You can take direction and revisions without ego, and you can also say "I tried it, here's why the other version is better"
- Comfortable with AI-assisted post tooling as part of the workflow — we build these tools, and you'll be one of the first people using them

Nice to have: camera and lighting experience; sound design; Photoshop and Illustrator; experience with dubbed or subtitled content; a second Indian language. What you'll be doing well by month three

- You can take a social edit from rushes to delivered in a day
- Your project files and folder structure are clean enough for someone else to pick up
- You've cut at least one brand or ad film that we're happy to put in front of clients
- You've used a 3D element in a real piece of work

How to apply Send your CV, a showreel (60–120 seconds), and a link to one full piece you cut. Tell us in three lines what you'd change about it now.

📌 Video Editor (Mumbai)
🏢 Lateral HR Consulting
📍 Mumbai