You'll be the person who turns raw footage into content people actually finish watching. Strategy and the content calendar sit with our Marketing Specialist. Your job is craft and output: the cut, the pacing, the hook, the packaging, and the volume to sustain it - across LinkedIn and Instagram today, with YouTube.
That said, we don't want a pair of hands. If you spot something worth filming, tell us. If you think a hook is weak, say so.
What You'll Own
*Short-Form Editing*
- Roughly 10 publish-ready short-form videos per week, with same-day turnaround on trend-driven pieces
- Retention craft: an opening that earns attention in the first 3 seconds (most viewers decide whether to keep watching before then), cuts every 1–2 seconds to avoid dead air, and payoffs that reward watching to the end
- Clean captions timed to the word, not just the sentence — most viewers watch with sound off, so captions carry the video
- Repurposing masterclasses, webinars and podcast footage into short-form assets (spotting the 5–10 clips inside a long recording that are worth cutting)
- Sound design,
required B-roll and light motion graphics
- Reframing horizontal footage into clean vertical (9:16) without cropping people out of frame
- Cutting hook and angle variants for paid social testing
*YouTube Long-Form - nice to have, not immediate*
- Support on 1–2 long-form videos per week as the pipeline builds: structured 8–20 minute pieces
- Multicam editing and syncing across camera and audio sources
- Long-form retention - cold opens, chapter structure, cutting dead air, keeping a longer video moving
- Chapters, end screens, cards and description formatting
- Reading YouTube Studio's retention graph (it shows exactly where viewers drop off) and applying what it tells you to the next edit
*Coordination*
- Requesting BTS footage with as much specificity as possible — what to shoot, from where, for how long
- Asking for what you need from anyone filming locally
- Supporting filming days wi
📌 Junior Video Editor (Kochi)
🏢 Abra
📍 Kochi